Mother of God parish was founded in 1841 when
approximately 30
German Catholic families recruited Fr. Ferdinand Kuhr to come to Covington.
The new church of the Annunciation of the Ever Virgin Mary, Mother of God
became the second Catholic parish in the city. The present church
building was constructed in 1870-1871 in the Italian Renaissance
basilica design.
Murals
The five large murals across the front depict the
joyful mysteries of the rosary. They were executed in 1890 by parish member
Johann Schmitt. Schmitt was an early teacher of Frank Duveneck, and his work
is in the Vatican.
Church
Windows
The large stained glass windows at the ends of the
transept were imported from the Royal Bavarian Establishment for
Ecclesiastical Art, Mayer & Co., Munich in 1890. The one on the east
side depicts the Immaculate Conception, and the one on the west the
Assumption. The art windows along the sides of the church present the story
of Mary in the upper panels, while the lower panels show the Old Testament
foreshadowing of the events.
Tower
Clocks
The tower clocks were installed in 1875. They are 110 feet from
the floor and 8 feet in diameter.
Litany of Loretto
The decorative frescoes by Wenceslaus Thien are noted
for their design and color harmony. The artistry of Krienhagen above the
windows includes titles for Mary in German from the Litany of Loretto.
Crucifix
The large crucifix behind the main altar is the work of
a Covington sculptor, Ferdinand Muer. It was blessed in 1871 and originally
installed at the communion rail.
Stations
of the Cross
The Stations of the Cross are the work of Paul Deschwanden, a
local artist. They were installed during Lent in 1872.
Organ
The organ was installed in 1875 by Fr. Peter Teutenberg,
the second pastor. A
Koehnken and Grimm, it was considered one of the finest in the West.
Tappert Tombs
The brother-pastors William and Henry Tappert are
buried at the altar of Our Lady of Perpetual Help at the west rear of the
church.
Shrine
Altar of Our Lady of Perpetual Help
The picture of Our Lady of Perpetual Help at the altar
was received by Fr. William Tappert from Pope Leo XIII in private audience
August 22, 1882. Oil paintings of the Tapperts done by Anna D. Shea in 1904
hang under the choir loft. William, the third pastor, 1879-1907, is on the
west side; Henry, the fourth pastor, 1907-1929, on the east. Together, they
established the church as a center of music and visual arts.
Woodwork
The communion table and pulpit are the work of
Dannenfelser. One panel of the original pulpit is incorporated into our new
baptismal font near the main door. The Schroder brothers installed the wood-carved altars in 1890-91. The earlier
baptistry at the east rear of church
dates to 1929 and was a gift of Fr. Henry Tappert in his golden jubilee
year.
Main
and Side Aisles
The German Mettlach tile main and side aisles were laid
in 1921, the same year in which the Carrara
angels with holy water bowls in the back of church were given to the
parish.
Stone Statues
The stone statues of Saints Peter
and Paul
and the two
mythological lions in front of the church were executed by the Mayer
Royal Art Institute, Munich.
Windows
Five windows facing the front of church –two in the lower
towers and three over the entrance doors -- were executed by the Riordan Stain
Glass Studios of Covington. They were commissioned by the fifth pastor, Fr.
Edward Klosterman to match the style of the Bavarian windows in the rest of
the building.